splendid arrows
'Let the beauty we love be what we do.'
Jelaluddin Rumi

Poetry (2015) montage

I Sing the Body Electric (Homage to Whitman) montage 2016

Le cri d'un animal (1985) oil on board 46" X 39"
from Nine Dialects of Green
VI. The Slender Pine
is half dead,
its needles red and brittle,
and now the living half
has its own museum.
The Lillyput Review
from Nine Dialects of Green
VII. The Coo
of a mourning dove
has ruptured the emerald forest
and now the earth's sadness
comes tumbling out
like the intestines
of an ox.
The Lillyput Review

Medieval Sadness (2016) montage
W E L C O M E to Splendid Arrows, a small and quiet corner in a large and raucous city. Here I have mounted my artwork whose margins are sprinkled here and there with verses, some that have been published and some that haven't. My only hope is that you enjoy your visit here.
Under the Summer Moon (2016) montage


Spring Scent (2006) collage/montage
Libido (2010) collage

Schema for Uneasy Sleep in the Digital Night (2010) montage

Digital Revolution (2015) montage
from Sum of What Was Said
I.
As I climb the ridge
the river follows,
my mumbling muse-
streaming through my daydreams,
she greens all my deserts
with an inch of grass.
IV.
The cry of a loon
strikes level air:
if I had less cares & fears
its deeper ring
would sting
these ears
(unpublished)
from Sum of What Was Said
VI. Night Swimming
Beached the runabout and lashed it
to a slender pine
then Brailled up the stone that leans
out over the water in the moonless dark.
Inhaled the island's flora,
let my fullness string the bow
my heart pulled tight
and firing my slender arrow
pierced the water's confidence
then surfaced,
and raising my empty cup,
I drank the night.
(unpublished)
Tanka
I reach deep
inside the night, pull out demons
by the tail like ropes
but find they're knotted tightly round
my intentions
The Lillyput Review
Repast
Though 'wolves are fed
on wind' or less
we pick emptiness
from our teeth
instead.
(after Franาซois Villon)
The Lillyput Review
Sandals
In the way a young girl's slender foot, rolling casually
Out of a sandal holds her S-curved body still,
Unhurried, radiant as if
Part flesh and living stone,
That is how youth holds itself,
How the old gods, too, had held themselves,
And why we sing them both
As if they waded
In pools of infinite time.
(unpublished)
Tanka
The heavy snow coaxes
a groan from the joists: I listen
as the dawn kitchen fills
with the five tumbling brooks
of your laughter
The Lillyput Review

Kepler's Nightlight (2015) montage

A Scroll for Kawabata (2015) collage/montage
On Two Legs
I went out walking in the forest
but the river ran hard at my heels,
throwing its voice into the oak and pine
to frighten me. So I turned to confront it
and a silence like an echo
of the last few minutes before the Big Bang
cut a hole in the moment
and I stepped in through as if a door
to find a river, stands of oak and pine.
I could turn and look a thousand times
for that is how it is
when we learn to walk. Every second
the world is being born,
it comes closer.I keep walking.
unpublished

