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Waterbird (2006)                                           tempera on cardboard

Autumn River                                                                               oil on canvas 36" X 36" (c.1980s)

S I X   R I V E R   P I C T U R E S                                                                     

Dark River                                                                                   oil on canvas 36" X 48" (c.1980s)

The River's Eye                                                                           oil on canvas 36" X 48" (c.1980s)

Winter River                                                                           oil on cardboard (c.1980s) 18" X 26"

Spartan's Heart            mixed media on paper 24" X 18" (c.1980s)

Shipyard Figure           mixed media on paper 24" X 18" (c.1980s)

Spring River                                          oil on cardboard (c.1980s)  46" X 39"

Summer River                                                        food coloring on newsprint (c.1980s) 18" X 24"

O T H E R   W O R K S                                                                     

Blue Greek                                         mixed media (1980's) 46" X 39"                                                            

Plataea                                                                               oil on masonite panels (1980's) 4" X 7"                                                            

Tanka

Shrill cry

of a loon at dusk:

almost unbearable

our brotherhood

on earth

 

unpublished

 

This Moon

 

            ‘By Asopos’ water young men are waiting’

                                                Pindar, 3rd Nemean Ode, trans. by C. Maurice Bowra

 

This moon

            is for boys who’ve yet

 

to start their apprenticeships

in loneliness:

 

swayed least by nature’s stricture,

 

            ‘Swim naked, lads,

while the river’s warm’,

 

is their favorite line

            of scripture.

 

 

unpublished

In wintertime

               

                         the steel was cold and had a deep, blunt ring to it when you beat it into shape with a ten-pounder. Often you had to shovel your parts clean of the previous night's snow and ice to find their pedigree, to continue building what it was you were building, assembling the thing by blueprint in a time when they were actually blue.

 

And on such winter mornings when the broad river seemed little more than a long scumbled brushstroke of jet, the boss's veined and purpled face would make its rounds leaving the stink of whiskey behind him in short white puffs. Young then, I had no idea what made men drink for anything but sport or a bit of confidence.

 

In the tin shop behind the docks, my father would by then have been immersed in a glow of heliarc. Just knowing he was there made the place less dreary, like bootlaces loosened so your feet can breathe.

 

The men that scampered like mice over the ship's icy decks are all gone now, figures in an old sepia print, including the man in the tin shop who, at five-feet-four, stood tall among even the loftiest of riggers that manned the skyhooks, shackles and slings.

 

And when the time-clock's last tick tripped the whistle, its shrill detonation would race down your spine with a scream of freedom.

 

Through the summer months I would often turn to watch as my young manhood swam upriver while I labored in the heat and ear-splitting noise, the swaying lilt of the pines on the other shore dreaming a summer dream without me.

 

But my father once said, or perhaps he implied,

 

                "Think well of what you were

                but even more of what you are,

                and with a touch of levity

                tip the scales to balance both

                with a counterweight of pride."

 

 

Grenada, MS

May 3, 2016

unpublished

Figure after Hals                      pencil and Wite-Out (1984)                                                         

A Sonnet on Salt

​

She spread salt

across his lips

and rubbed it in

with a mocking gentleness;

 

she spread salt

across his dreams

as Rome once sowed

the fields of Carthage.

 

She fed him salt

instead of honey,

 

another road

they might have taken

had they dreamed

of more than money.

​

​

​

unpublished

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