splendid arrows
'Let the beauty we love be what we do.'
Jelaluddin Rumi
Waterbird (2006) tempera on cardboard

Autumn River oil on canvas 36" X 36" (c.1980s)

S I X R I V E R P I C T U R E S
Dark River oil on canvas 36" X 48" (c.1980s)

The River's Eye oil on canvas 36" X 48" (c.1980s)

Winter River oil on cardboard (c.1980s) 18" X 26"

Spartan's Heart mixed media on paper 24" X 18" (c.1980s)

Shipyard Figure mixed media on paper 24" X 18" (c.1980s)


Spring River oil on cardboard (c.1980s) 46" X 39"

Summer River food coloring on newsprint (c.1980s) 18" X 24"
O T H E R W O R K S

Blue Greek mixed media (1980's) 46" X 39"

Plataea oil on masonite panels (1980's) 4" X 7"
Tanka
Shrill cry
of a loon at dusk:
almost unbearable
our brotherhood
on earth
unpublished
This Moon
‘By Asopos’ water young men are waiting’
Pindar, 3rd Nemean Ode, trans. by C. Maurice Bowra
This moon
is for boys who’ve yet
to start their apprenticeships
in loneliness:
swayed least by nature’s stricture,
‘Swim naked, lads,
while the river’s warm’,
is their favorite line
of scripture.
unpublished
In wintertime
the steel was cold and had a deep, blunt ring to it when you beat it into shape with a ten-pounder. Often you had to shovel your parts clean of the previous night's snow and ice to find their pedigree, to continue building what it was you were building, assembling the thing by blueprint in a time when they were actually blue.
And on such winter mornings when the broad river seemed little more than a long scumbled brushstroke of jet, the boss's veined and purpled face would make its rounds leaving the stink of whiskey behind him in short white puffs. Young then, I had no idea what made men drink for anything but sport or a bit of confidence.
In the tin shop behind the docks, my father would by then have been immersed in a glow of heliarc. Just knowing he was there made the place less dreary, like bootlaces loosened so your feet can breathe.
The men that scampered like mice over the ship's icy decks are all gone now, figures in an old sepia print, including the man in the tin shop who, at five-feet-four, stood tall among even the loftiest of riggers that manned the skyhooks, shackles and slings.
And when the time-clock's last tick tripped the whistle, its shrill detonation would race down your spine with a scream of freedom.
Through the summer months I would often turn to watch as my young manhood swam upriver while I labored in the heat and ear-splitting noise, the swaying lilt of the pines on the other shore dreaming a summer dream without me.
But my father once said, or perhaps he implied,
"Think well of what you were
but even more of what you are,
and with a touch of levity
tip the scales to balance both
with a counterweight of pride."
Grenada, MS
May 3, 2016
unpublished

Figure after Hals pencil and Wite-Out (1984)
A Sonnet on Salt
​
She spread salt
across his lips
and rubbed it in
with a mocking gentleness;
she spread salt
across his dreams
as Rome once sowed
the fields of Carthage.
She fed him salt
instead of honey,
another road
they might have taken
had they dreamed
of more than money.
​
​
​
unpublished